Cross-Language Dynamics - Reshaping Community: Translingual Strand
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From Tokyo to Toulouse: The harp in translation

From Tokyo to Toulouse: The harp in translation

by elizabethdearnley | May 14, 2020 | Events, News, Public Engagement, Translingual Music

Ahead of her livestreamed concert on 30 May, harpist Tamsin Dearnley reflects on her experiences moving between different musical traditions in Britain, France and Japan, and the extent to which music behaves like spoken language. When we want to express something...

New publication: ‘Pierre Boulez, surrealist’

by jmillington | Nov 21, 2018 | News, Translingual Music

IMLR Visiting Fellow Caroline Potter’s article ‘Pierre Boulez, surrealist’ has been published by the Italian peer reviewed journal Gli spazi della musica, as part of a music and surrealism...
In Search of the Music of Language: 26 September 2018 Study Day

In Search of the Music of Language: 26 September 2018 Study Day

by jmillington | Sep 18, 2018 | Conference, Events, News, Translingual Music

The full programme is now available! Morning: from 10:00am – Composers in interview: Dr Paul Archbold presents excerpts from filmed conversations with Sir Harrison Birtwistle, Brian Ferneyhough, Beat Furer and Hilda Paredes. The session will conclude with a...
Event Report: Music and Surrealism in France, 1924-1952: interdisciplinary and international contexts

Event Report: Music and Surrealism in France, 1924-1952: interdisciplinary and international contexts

by jmillington | Jun 11, 2018 | Conference, Events, News, Translingual Music

On 8 June 2018, the IMLR and OWRI CLDRS Translingual Strand welcomed participants from both sides of the Atlantic and both sides of the Channel for an interdisciplinary study day focusing on surrealism and music. The topic has historically been regarded as...
Call for papers: Surrealism and music in France, 1924-1952: interdisciplinary and international contexts

Call for papers: Surrealism and music in France, 1924-1952: interdisciplinary and international contexts

by jobradley | Nov 30, 2017 | Call for Papers, Conference, Events, Translingual Music

On Friday 8 June we will host a study day and recital exploring the connection between surrealism and music in France between 1924 and 1952. Paris was the principal centre of surrealist activity and the focus of connections between surrealist literature, ethnology,...

Registration open for ‘Be not afeard: language, music and cultural memory in the operas of Thomas Adès’

by jobradley | Mar 16, 2017 | Translingual Music

With invited contributions from: Thomas Adès, Philip Hensher, Meredith Oakes, John Roeder (University of British Columbia), Peter Evans (Queen Mary University of London) and Mark Millington (University of Nottingham). Thomas Adès has drawn attention to the ‘mysterious...
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