BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Cross-Language Dynamics - Reshaping Community: Translingual Strand - ECPv6.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Cross-Language Dynamics - Reshaping Community: Translingual Strand
X-ORIGINAL-URL:https://crosslanguagedynamics.blogs.sas.ac.uk
X-WR-CALDESC:Events for Cross-Language Dynamics - Reshaping Community: Translingual Strand
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20170101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20180608T173000
DTEND;TZID=UTC:20180608T193000
DTSTAMP:20180511T145141Z
CREATED:20171130T144433Z
LAST-MODIFIED:20180511T145141Z
UID:738-1528479000-1528486200@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Surrealism and music in France\, 1924-1952: Alexander Soares Recital
DESCRIPTION:Join us for a piano recital of relevant French repertoire by the outstanding young pianist Alexander Soares. \nPraised as a pianist of “huge intensity” (The Telegraph)\, Alexander Soares is developing a reputation as an artist of formidable technique and virtuosity\, with performances of “diamond clarity and authority” (BBC Radio 3 ‘In Tune’). In 2015\, his performance in the BBCSO / BBC Radio 3 ‘Boulez at 90’ celebrations received widespread critical acclaim in the press\, described as a “brilliantly unbuttoned account” (The Sunday Times) and “most memorable of all” (The Financial Times). \nContemporary French repertoire forms a major part of Alexander’s programming. Since a U.K. premiére of Tristan Murail’s work in the BBCSO Total Immersion series\, he has performed this repertoire in his debut recitals in the Royal Festival Hall\, the Purcell Room\, and the Bridgewater Hall. In 2014\, he collaborated with Diego Masson performing Messiaen’s Des Canyons aux Étoiles in Milton Court Concert Hall. The following year\, he performed Boulez’s Dérive with David Corkhill in LSO St. Luke’s. His first album will be recorded in 2016\, comprising of the solo works of Boulez\, Dutilleux and Messiaen. \nMore information: www.alexander-soares.com \nProgramme:\nAndré Jolivet: Piano Sonata no. 1\nOlivier Messiaen: Île de feu 1\nOlivier Messiaen: Prélude (1964)\nPierre Boulez: Douze Notations\nPierre Boulez: Une page d’éphéméride \nThe recital forms part of a conference\, organised by the Institute of Modern Languages Research. The links between surrealism and the emerging disciplines of ethnology and ethnomusicology redefined the concept of exoticism in France and were the subject of a good deal of polemical debate. However\, connections between surrealism and music have been little explored. This conference initiates a transdisciplinary and international dialogue and will situate music at the heart of these debates. \nParis was the principal centre of surrealist activity and the focus of connections between surrealist literature\, ethnology\, sociology\, visual arts and music. It is clear the movement had a decisive influence on major French composers such as Pierre Boulez\, Olivier Messiaen and André Jolivet. \nPlease register in advanced: £5 recital only\, or as part of the conference registration fee. \nFind out more about the conference here. \nBook for the recital only here. \n 
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/surrealism-and-music-in-france-1924-1952-alexander-soares-recital/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Public,Translingual Music
ATTACH;FMTTYPE=image/png:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2017/11/Soares-cropped.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180608
DTEND;VALUE=DATE:20180609
DTSTAMP:20180511T143859Z
CREATED:20171130T143847Z
LAST-MODIFIED:20180511T143859Z
UID:735-1528416000-1528502399@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Surrealism and music in France\, 1924-1952: interdisciplinary and international contexts
DESCRIPTION:Paris was the principal centre of surrealist activity and the focus of connections between surrealist literature\, ethnology\, sociology\, visual arts and music. The links between surrealism and the emerging disciplines of ethnology and ethnomusicology redefined the concept of exoticism in France and were the subject of a good deal of polemical debate. However\, connections between surrealism and music have been little explored\, although it is clear the movement had a decisive influence on major French composers such as Pierre Boulez\, Olivier Messiaen and André Jolivet. This conference initiates a transdisciplinary and international dialogue and will situate music at the heart of these debates. \nPlease register in advance | Standard: £25 | Student/Unwaged: £15 \nThe event will end with a piano recital of relevant French repertoire by the outstanding young pianist Alexander Soares\, included in the registration fee. Click here for more details about the recital. \nClick here for programme information and booking.
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/surrealism-and-music-in-france-1924-1952-interdisciplinary-and-international-contexts/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Translingual Music,Workshop
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2017/11/shutterstock_544118092-e1512660089714.jpg
END:VEVENT
END:VCALENDAR