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X-ORIGINAL-URL:https://crosslanguagedynamics.blogs.sas.ac.uk
X-WR-CALDESC:Events for Cross-Language Dynamics - Reshaping Community: Translingual Strand
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DTSTART:20170101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191117T150000
DTEND;TZID=UTC:20191117T180000
DTSTAMP:20190822T111014Z
CREATED:20190822T111014Z
LAST-MODIFIED:20190822T111014Z
UID:1937-1574002800-1574013600@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:At Home I Speak
DESCRIPTION:What are the links between language and imagination? How do the languages we speak relate to community\, culture and identity? \nFollowing a 2-month arts residency at Gearies Primary School in Redbridge – where the students speak 47 languages between them – come and watch a new verbatim play that explores and celebrates multilingualism. Join playwright Neela Doležalová\, writer Malachi McIntosh\, and modern languages academics. for a post-show panel discussion on contemporary attitudes to multilingualism. \nFurther details to follow.
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/at-home-i-speak/
LOCATION:Rich Mix\, 35-47 Bethnal Green Rd\, Shoreditch\, London\, E1 6LA
CATEGORIES:Performance,Public
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191114T180000
DTEND;TZID=UTC:20191114T200000
DTSTAMP:20190827T151310Z
CREATED:20190827T151021Z
LAST-MODIFIED:20190827T151310Z
UID:1951-1573754400-1573761600@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Making Theatre in Exile
DESCRIPTION:Delving into a suitcase full of sketches\, songs and letters\, the theatre group [Foreign Affairs] brings to life the story of the Laterndl theatre in Hampstead\, established by a group of exile actors and writers from Nazi-occupied Austria during the Second World War. Rekindling the Viennese tradition of political cabaret\, they reflect on their new surroundings and hopes for the future\, and bring a beacon of light to the 30\,000-strong traumatised refugee community. The Laterndl received wide critical acclaim and soon came to symbolise the community’s resistance to Nazi terror and assertion of an independent Austrian identity and culture. \n‘Making Theatre in Exile’ re-discovers the Laterndl through the work of the Research Centre for German & Austrian Exile Studies on the Martin Miller and Hannah Norbert-Miller Archive\, deposited in 2001 at the Institute of Modern Languages Research (University of London). \nPerformed in the original German and English\, this project has been made possible by sponsorship from the Miller Trust\, the Being Human Festival\, the Austrian Cultural Forum London\, and the Open World Research Initiative (OWRI). \n\nDoors open for the 1st performance at 6 pm \nDoors open for the 2nd performance at 8 pm \nAttendance is free\, but seating is limited and advance online booking is essential.  Seats are not numbered\, and are allocated on a first come\, first served basis. Each performance will last approximately 2 hours. \nBOOKING FOR 6PM PERFORMANCE – OPENS 1 SEPTEMBER \nBOOKING FOR 8PM PERFORMANCE – OPENS 1 SEPTEMBER \nVenue Notes \nThe Hampstead Jazz Club is located in the basement cellar of a 1721 pub. There is no stair-free access. Persons with limited mobility can use the external staircase which has railings.\nThere is a bar for drinks in the Club; booking a table for dinner upstairs in the Duke of Hamilton at least one hour before the start time is recommended. \nHow to get there \n\nThis event is part of the Being Human festival\, the UK’s only national festival of the humanities\, taking place 14–23 November.   Led by the School of Advanced Study\, University of London\, in partnership with the Arts & Humanities Research Council and the British Academy. \nFor further information please see beinghumanfestival.org 
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/making-theatre-in-exile/
LOCATION:Hampstead Jazz Club (Duke of Hamilton Pub)\, 23-25 New End Road\, London\, NW3 1JD\, United Kingdom
CATEGORIES:Performance,Public,Translingual Minorities
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2019/08/Foreign-Affairs-CF-1-Square-300x-captioned.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191010T193000
DTEND;TZID=UTC:20191010T210000
DTSTAMP:20190822T105044Z
CREATED:20190822T105044Z
LAST-MODIFIED:20190822T105044Z
UID:1930-1570735800-1570741200@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Echoes Festival: Latin American Music Performance
DESCRIPTION:Alessandro Santoro: piano & speaker \nLecture-Recital: The Piano Preludes of Cláudio Santoro\n\nTickets:\nIn Advance: £14 | £12 Concessions\nOn the Door: £18 | £16 Concessions\nBookings: 0800 411 8881 | brownpapertickets.com (to be released)\n\nPart of Echoes Festival of Latin Classical Music\, organised by ILAMS in collaboration with the Instituto Cervantes\, Poliphonia and the Institute of Modern Languages Research and the Open World Research Initiative (OWRI)\, Cross-Language Dynamics: Reshaping Community\, Translingual Strand\, with the kind support of the Brazilian Government and the Brazilian Embassy in London.
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/echoes-festival-latin-american-music-performance/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Latin American Events,Performance,Translingual Music
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191009
DTEND;VALUE=DATE:20191011
DTSTAMP:20190822T104247Z
CREATED:20190822T104247Z
LAST-MODIFIED:20190822T104247Z
UID:1926-1570579200-1570751999@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Playing with Prose Theatre Workshop
DESCRIPTION:Adapting Novels for the Stage \nA two-day workshop for university students \nLed by Jack Tarlton (8 Days: To the Moon and Back) \nJoin us for this creative workshop for university students\, exploring adaptations of novels for the stage. Reading a novel and watching an adaptation of that novel in the theatre are two very distinct experiences. The first is private\, the reader using their own imagination fuelled by the writer’s words to create the characters and landscapes\, locating and exploring the themes and ideas and following the narrative thrust. The second is communal and collaborative. We sit with others and collectively engage with a story that is being told to us by other people using language\, movement\, music\, lighting and sound\, people who have in turn been inspired by the original writer’s work. \nBut both are imaginative acts that move us and make us think in a myriad of ways. \nWhy adapt a book for the stage and how do we adapt a book for the stage? \nWorking with interviews conducted by Tarlton with some of the UK’s leading theatre practitioners\, participants will explore the following works: \nCoram Boy\nby Jamila Gavin\, adapted by Helen Edmunsen & directed by Melly Still\nfor the National Theatre\, Broadway & Bristol Old Vic \nThe Curious Incident of the Dog in the Night-Time\nBy Mark Haddon\, adapted by Simon Stephens & directed by Marianne Elliot\nfor the National Theatre\, West End\, Broadway\, UK & US Tours & International Productions \nCity of Glass\nby Paul Auster\, adapted by Duncan McMillan & directed by Leo Warner\nfor 59 Productions\, HOME Manchester and the Lyric Hammersmith \nThe Death of Ivan Ilyich\nby Leo Tolstoy\, adapted by Stephen Sharkey & directed by Jonathan Humphreys\nfor Attic Theatre Company \nThe workshop will feature videos of rehearsals and early productions\, and students will look at the challenges of taking books written in first person and bringing that to the stage\, examining stage directions\, the importance of collaboration\, performing short parts of the plays and novels\, and looking at design work that accompanies the production. Students will also have the opportunity to create and perform their own short plays based on a story or an except of a novel. \nBooking to open shortly.
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/playing-with-prose-theatre-workshop/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Workshop
ATTACH;FMTTYPE=image/png:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2019/08/Curious-Incident-Playing-with-Prose.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190622T170000
DTEND;TZID=UTC:20190622T200000
DTSTAMP:20190617T143209Z
CREATED:20190520T140549Z
LAST-MODIFIED:20190617T143209Z
UID:1808-1561222800-1561233600@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Celebrating Indigenous Languages and Inti Raymi (The Festival of the Sun)
DESCRIPTION:Comunidad Rimanakuy invites you to celebrate Inti Raymi (The Festival of the Sun) in the International Year of Indigenous Languages! \nComunidad Rimanakuy is a Quechua-speaking community group that aims to promote\, support and protect the Andean cultures and Latin American indigenous languages in London. \nFunded by OWRI’s Cross Language Dynamics: Reshaping Community project from the Institute of Modern Languages Research\, and supported by the Institute of Latin American Studies\, the Consulate General of Peru and Teléfono de la Esperanza- VOADES\, the community event will be an opportunity for local people to learn more about Andean cultures and languages. \nThe event aims to highlight the importance of indigenous languages not only as “methods of communication but also as repositories of traditional knowledge that are important for understanding and sustaining biological diversity and providing important contributions to sustainable development” (UN). \nCome and learn some Quechua\, taste a homemade selection of Andean bocaditos and enjoy traditional music and dances by Grupo Kausary and much more! \nFree but ticketed\, please book your place.\nFamily friendly.\nBuses to:\nOld Kent Road/East Street bus stops (F & G): 21 – 42 – 53 – 63 – 168 – 172 – 363 – 415 – 453\nEast Street/Flint Street bus stop (B & L): 136 – 343\nTrain Station: Elephant and Castle \nCLICK HERE  TO BOOK \n 
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/celebrating-indigenous-languages-and-inti-raymi-the-festival-of-the-sun/
LOCATION:St Paul Church\, Lorrimore Square\, London\, SE17 3QU\, St Paul Church\, Lorrimore Square\, London\, SE17 3QU\, United Kingdom
CATEGORIES:Latin American Events,Performance,Public
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2019/05/3664895969_bd329e191d_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190418T181500
DTEND;TZID=UTC:20190418T201500
DTSTAMP:20190328T103849Z
CREATED:20190226T164738Z
LAST-MODIFIED:20190328T103849Z
UID:1445-1555611300-1555618500@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Poet in the Archives: Michael Hamburger
DESCRIPTION:An evening of readings and discussion at The British Library in celebration of the life\, work and legacy of poet-translator Michael Hamburger. Preceded by a drinks reception from 18:15 in the Eliot Room. \nMichael Hamburger\, whose archive came to the British Library after his death in 2007\, translated many of the great German and Austrian writers – among them\, Friedrich Hölderlin\, Rainer Maria Rilke\, Paul Celan\, Georg Trakl and W. G. Sebald\, and is a major poet in his own right. Born in Berlin in 1924 to German Jewish parents\, his family fled Nazi Germany for Britain in 1933\, and he went on to become a crucial figure in British and German letters. This evening of readings and discussion will celebrate the life\, work and legacy of Hamburger\, with contemporary poets and translators exploring the variety of ways they’ve engaged with his work\, and how he’s inspired their own. \nCLICK HERE FOR BOOKING \n\nIain Galbraith is a Scottish poet and translator who lives in Germany. His poems have appeared in New Writing Scotland\, Poetry Review\, Irish Pages\, The Times Literary Supplement and PN Review\, and his first collection\, The True Height of the Ear\, was published by Arc in 2018. His most recent translations include Jan Wagner’s Self-portrait with a Swarm of Bees (Arc\, 2015)\, Esther Kinsky’s River (Fitzcarraldo\, 2017) and\, in German\, selections by John Burnside (2016 and 2018) and Alice Oswald (2018). He has received several prizes for his work\, including the Stephen Spender Prize\, Popescu Prize for European Poetry Translation\, Schlegel-Tieck Prize\, and a PEN/Heim Translation Fund Grant. Iain was acquainted with Michael Hamburger and has edited his essays and poetry in German translation\, published in two volumes in 2007 and 2009 by Folio Verlag. \nKaren Leeder is a writer\, translator and academic\, and teaches German at New College\, Oxford where she works especially on modern poetry. She translates contemporary German literature into English\, including works by Volker Braun\, Michael Krüger and Raoul Schrott. Her most recent translations include Evelyn Schlag’s All Under one Roof (Carcanet) which was the PBS summer translation selection (2018)\, and she was awarded an English PEN award and an American PEN/Heim award for her translations from Ulrike Almut Sandig’s Dickicht (Thick of it) which appeared with Seagull in 2018. Her translations of Durs Grünbein stretch back over a decade and were awarded the Stephen Spender Prize (2011) and the John Frederik Nims Memorial Prize (2018). Karen has written and lectures on Hamburger’s poetry\, most recently in the context of lateness. \nJen Calleja is a writer and literary translator from German. She has translated literary fiction\, non-fiction and poetry by writers including Wim Wenders\, Marion Poschmann\, Kerstin Hensel\, Michelle Steinbeck and Gregor Hens\, and her translations have featured in The New Yorker and The White Review. Her debut poetry collection Serious Justice was published by Test Centre in 2016 and she has a collection of short fiction forthcoming in 2019. She’s columnist for translated literature for the Brixton Review of Books and founding editor of Anglo-German arts journal Verfreundungseffekt. She was the inaugural Translator in Residence at the British Library and formerly Translator in Residence at the Austrian Cultural Forum London. Jen will be reading from and discussing her pamphlet of original poems inspired by the Michael Hamburger archive and written as part of her role as Translator in Residence at the British Library. \n\nThis event is a collaboration between the Ingeborg Bachmann Centre\, the Open World Research Initiative: Cross-Language Dynamics: Reshaping Community\, the Institute of Modern Languages Research\, and the British Library.
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/poet-in-the-archives-michael-hamburger/
LOCATION:The British Library\, 96 Euston Rd\, London NW1 2DB
CATEGORIES:Performance,Public
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2019/02/MHamburger-Speakers-e1553769440770.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181111T160000
DTEND;TZID=UTC:20181111T193000
DTSTAMP:20181025T175919Z
CREATED:20181025T175744Z
LAST-MODIFIED:20181025T175919Z
UID:1227-1541952000-1541964600@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Brixton Reel Film Premiere: Virginia Casta
DESCRIPTION:Virginia Casta \n\nA premiere of the Colombian romantic comedy film\, followed by Cuban and Salsa music. \nDirector: Claudio Cataño (Colombia) | Spanish with English subtitles. \nBased on a best selling Colombian novel Virginia Casta stars acclaimed actress Cristina Umaña who gives a darkly comic performance as a love damaged heroine. Devastated by her recent break up\, Virginia Casta attempts to jump from a balcony\, but far from ending her life\, she becomes an infamous social media personality. Between rock music\, tears and frenzy with a scruffy musician\, two dysfunctional friends and a pothead grandmother\, Virginia discovers the meaning of friendship and a way out from this mess. Until her ex shows up again! \nIn association with the Institute of Modern Languages Research (University of London) and the AHRC Open World Research Initiative project: Cross-Language Dynamics: Reshaping Community. \nPlease book in advance at: https://www.eventbrite.co.uk/e/brixton-reel-virginia-casta-tickets-51547042592  \n\nAbout Brixton Reel Film Festival \nBrixton Reel is a pioneering mental wellbeing film festival set up to engage with hard to reach\, socially excluded and often lower income BAME communities. \nThe festival is run by film and diversity company ImagineAsia Ltd and led by the Brixton Reel Steering Group\, which is made up of a range of mental health service providers including Certitude\, Mosaic Clubhouse\, Teléfono de la Esperanza (TEUK) and Dragon Café\, among others. It includes mental health service users and people of diverse backgrounds. \nTeléfono de la Esperanza is a Migrant Health charity that offers a free comprehensive mental health service for the Spanish and Portuguese-speaking communities in London. \nSince 2015 Brixton Reel Film Festival has been working with TEUK-Voades and Southwark Council in the delivery of its health and wellbeing outreach events. Brixton Reel has developed a long-term relationship with TEUK which provides strong links with the Spanish-speaking Latin American communities in Southwark and Lambeth. \nThis year’s festival edition focuses on the seldom heard stories of mental wellbeing by BAME communities in London. Black Asian and Minority ethnic people’s stories are rarely told. This year Brixton Reel Film Festival is asking members from Black Asian and Minority ethnic communities (including the Latin American community) and LGBTQ+ people to tell their own stories on mental wellbeing. \nOWRI in partnership with TEUK-Voades will organise a workshop with young Latin Americans living in London to learn more about their views on mental health. The workshop aims to explore how cultural and linguistic differences (re)shape the way we speak about mental health. Their recorded testimonials will offer insight into the way culture and language shape our understanding of mental health. \nThe festival takes place on two dates this year with an early event on World Mental Health Day 10th October and the main festival taking place from 8th to 15th November. The festival will take place in Lambeth\, Southwark and Hackney. \n 
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/brixton-reel-film-premiere-virginia-casta/
LOCATION:The Cinema Museum\, Dugard Way\, London\, SE11 4TH\, United Kingdom
CATEGORIES:Latin American Events,Performance,Public
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2018/10/latinreel.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181110T140000
DTEND;TZID=UTC:20181110T163000
DTSTAMP:20181016T164818Z
CREATED:20181016T163303Z
LAST-MODIFIED:20181016T164818Z
UID:1210-1541858400-1541867400@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Language and Identity: Explorations Through Film
DESCRIPTION:The dynamic relationship between languages and the different community identities to which they are linked can be explored innovatively through film.  This event will showcase four short films made by former students of the University of Manchester’s Visual Anthropology MA programme\, who are now independent film makers. They address themes from the Manchester-led\, Arts and Humanities Research Council-funded ‘Cross-Language Dynamics: Reshaping Community’ research project which supported the films. Languages ranging from Arabic\, indigenous languages of Mexico and South Africa\, and ‘Spanglish’ are featured. \nTaking the form of a mini film festival with talks and discussion\, the event is aimed at all members of the general public interested in language\, identity and/or the short film documentary genre. \nAttendance FREE! but space limited. CLICK HERE TO BOOK
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/language-and-identity-explorations-through-film/
LOCATION:Former Cornerhouse\, 70 Oxford Road\, Manchester M1 5NH
CATEGORIES:Performance,Public,Translingual Minorities
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2018/10/LanguageIdentity3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181107T180000
DTEND;TZID=UTC:20181107T210000
DTSTAMP:20181019T130216Z
CREATED:20181011T115420Z
LAST-MODIFIED:20181019T130216Z
UID:1205-1541613600-1541624400@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Concert: Debussy in Spain
DESCRIPTION:Echoes Festival is the first and only annual festival showcasing the classical music of Spain\, Portugal and Latin America – launched in 2016 as the new flagship project of ILAMS (the Iberian and Latin American Music Society)\, in collaboration with the Cervantes Institute. Now in its third year\, the Festival has brought unique classical Iberican programming to some of London’s most prestigious venues\, including the Barbican (Milton Court Concert Hall)\, the Wallace Collection\, St John’s Smith Square\, St Martin-in-the-Fields\, The Other Palace (Studio)\, Bolívar Hall and St James’s Piccadilly\, whilst providing a platform for some of the most authentic and illustrious voices within Latin classical music today. \nPart of our new Young Performer’s Platform\, this collaboration with Talent Unlimited – a visionary UK charity supporting the nurturing of young professional talent in classical music – aims to showcase Luso/Hispanic young performers based in the UK\, as well as introducing Iberican repertoire to the next generation of non-native musicians. The event includes a pre-concert talk by Chris Collins (University of Bangor. \nThe programme is curated by Helen Glaisher-Hernández and includes music by Debussy\, Federico Mompou\, Joaquín Turina\, Joaquín Nin\, Joaquín Rodrigo and Manuel de Falla. \nTicket includes a free glass of Spanish wine courtesy of Wines from Spain. Special ticket price for University of London staff and students £8 using the code “IMLR”. \nCLICK HERE FOR BOOKING AND FULL PROGRAMME \nPresented in collaboration with ILAMS\, the Instituto Cervantes and Talent Unlimited\, with the kind support of Wines from Spain. \nimage: Caricature of Debussy by Jean Dulac\, 1912 \n\nThis event is hosted for ILAMS by the Institute of Modern Languages Research\, and supported by the Open World Research Initiative (OWRI) Cross-Language Dynamics: Reshaping Community\, translingual strand
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/concert-debussy-in-spain/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Translingual Music
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2018/10/Jean_Dulac_-_caricature_de_Debussy_1912.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180926T100000
DTEND;TZID=UTC:20180926T203000
DTSTAMP:20180905T110337Z
CREATED:20180828T145427Z
LAST-MODIFIED:20180905T110337Z
UID:1135-1537956000-1537993800@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:In Search of the Music of Language & Sing-a-Lang!
DESCRIPTION:Two events in celebration of the European Day of Languages. \n10.00am – 5.30pm: An interdisciplinary study day examining the relationships between music and language. Presenters to include: Klara Kofen\, Prof. Fiona Sampson\, Dr Nina Rolland\, Prof. Philip Grange\, Dr Paul Archbold\, Prof. Marta Mateo. Morning sessions will feature screenings of interviews with composers on the use of languages in their work. \nStandard £15 | Concessions £10. Click Here for booking. \n6.45 – 8.15pm: An evening of song in languages from across the globe\, with the New London Children’s Choir conducted by Ronald Corp\, and the N10 Choir conducted by Lazina Gheyselinck. Piano: Alexander Wells. Including works by Couperin\, Vivaldi\, Bach\, Schubert\, Rossini\, Reger\, Bartók\, Sokolov\, and Turnage\, and songs in Finnish\, Zulu\, Japanese\, French\, Hebrew\, Hungarian\, Latin\, among others. \nAll tickets £5. Click here for booking. \nConvenor: Dr Paul Archbold
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/in-search-of-the-music-of-language-sing-a-lang/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Translingual Music
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2018/08/ChildrenChoir4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180608T173000
DTEND;TZID=UTC:20180608T193000
DTSTAMP:20180511T145141Z
CREATED:20171130T144433Z
LAST-MODIFIED:20180511T145141Z
UID:738-1528479000-1528486200@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Surrealism and music in France\, 1924-1952: Alexander Soares Recital
DESCRIPTION:Join us for a piano recital of relevant French repertoire by the outstanding young pianist Alexander Soares. \nPraised as a pianist of “huge intensity” (The Telegraph)\, Alexander Soares is developing a reputation as an artist of formidable technique and virtuosity\, with performances of “diamond clarity and authority” (BBC Radio 3 ‘In Tune’). In 2015\, his performance in the BBCSO / BBC Radio 3 ‘Boulez at 90’ celebrations received widespread critical acclaim in the press\, described as a “brilliantly unbuttoned account” (The Sunday Times) and “most memorable of all” (The Financial Times). \nContemporary French repertoire forms a major part of Alexander’s programming. Since a U.K. premiére of Tristan Murail’s work in the BBCSO Total Immersion series\, he has performed this repertoire in his debut recitals in the Royal Festival Hall\, the Purcell Room\, and the Bridgewater Hall. In 2014\, he collaborated with Diego Masson performing Messiaen’s Des Canyons aux Étoiles in Milton Court Concert Hall. The following year\, he performed Boulez’s Dérive with David Corkhill in LSO St. Luke’s. His first album will be recorded in 2016\, comprising of the solo works of Boulez\, Dutilleux and Messiaen. \nMore information: www.alexander-soares.com \nProgramme:\nAndré Jolivet: Piano Sonata no. 1\nOlivier Messiaen: Île de feu 1\nOlivier Messiaen: Prélude (1964)\nPierre Boulez: Douze Notations\nPierre Boulez: Une page d’éphéméride \nThe recital forms part of a conference\, organised by the Institute of Modern Languages Research. The links between surrealism and the emerging disciplines of ethnology and ethnomusicology redefined the concept of exoticism in France and were the subject of a good deal of polemical debate. However\, connections between surrealism and music have been little explored. This conference initiates a transdisciplinary and international dialogue and will situate music at the heart of these debates. \nParis was the principal centre of surrealist activity and the focus of connections between surrealist literature\, ethnology\, sociology\, visual arts and music. It is clear the movement had a decisive influence on major French composers such as Pierre Boulez\, Olivier Messiaen and André Jolivet. \nPlease register in advanced: £5 recital only\, or as part of the conference registration fee. \nFind out more about the conference here. \nBook for the recital only here. \n 
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/surrealism-and-music-in-france-1924-1952-alexander-soares-recital/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Public,Translingual Music
ATTACH;FMTTYPE=image/png:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2017/11/Soares-cropped.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180608
DTEND;VALUE=DATE:20180609
DTSTAMP:20180511T143859Z
CREATED:20171130T143847Z
LAST-MODIFIED:20180511T143859Z
UID:735-1528416000-1528502399@crosslanguagedynamics.blogs.sas.ac.uk
SUMMARY:Surrealism and music in France\, 1924-1952: interdisciplinary and international contexts
DESCRIPTION:Paris was the principal centre of surrealist activity and the focus of connections between surrealist literature\, ethnology\, sociology\, visual arts and music. The links between surrealism and the emerging disciplines of ethnology and ethnomusicology redefined the concept of exoticism in France and were the subject of a good deal of polemical debate. However\, connections between surrealism and music have been little explored\, although it is clear the movement had a decisive influence on major French composers such as Pierre Boulez\, Olivier Messiaen and André Jolivet. This conference initiates a transdisciplinary and international dialogue and will situate music at the heart of these debates. \nPlease register in advance | Standard: £25 | Student/Unwaged: £15 \nThe event will end with a piano recital of relevant French repertoire by the outstanding young pianist Alexander Soares\, included in the registration fee. Click here for more details about the recital. \nClick here for programme information and booking.
URL:https://crosslanguagedynamics.blogs.sas.ac.uk/event/surrealism-and-music-in-france-1924-1952-interdisciplinary-and-international-contexts/
LOCATION:Senate House\, University of London\, Malet Street\, London\, WC1E 7HU\, United Kingdom
CATEGORIES:Performance,Translingual Music,Workshop
ATTACH;FMTTYPE=image/jpeg:https://crosslanguagedynamics.blogs.sas.ac.uk/files/2017/11/shutterstock_544118092-e1512660089714.jpg
END:VEVENT
END:VCALENDAR